Below is the official description for each one. If you do plan to attend, feel free to drop me a line via my contact form with ideas and topics you want me to cover in those classes, its always good to get fresh ideas from attendees! See you there!

Autodesk Revit and 3ds Max Design for Lighting and Daylighting simulation

5/7/2012 – 9:00 am to 5:00pm

This session will provide an overview of the tools available to you in the Autodesk products family for exploring, defining and validating lighting projects. Focused on the interoperability of Revit and 3ds Max Design, you will learn what is possible to achieve with Autodesk Revit and 3ds Max Design for electrical lighting design as well as daylighting design.

An overview of the rendering capabilities or mental ray and iray will be provided as well as production oriented strategies to integrate lighting photometry and solar information for lighting studies. Tips and tricks will be provided to support project workflows where the design elements are changing and evolving on a regular basis.

Learning Objectives:

• Get a general overview of BIM technologies applicable to lighting design projects.
• Learn about interoperability strategies to adopt when translating data from one software to another.
• Learn about capabilities and limitations of lighting simulation technologies.
• See production examples used in the context of real projects.

L12D08 - Challenges associated with Weather-Based Annual Daylight Simulations

Co-Speaker: Jack Bailey, One Lux Studio, NYC

5/8/2012 – 9:00 am to 12:00pm

This workshop will walk you through the various challenges associated with annual‐based daylight simulation that we experienced with our projects. From the data collection stage through the validation of weather data, to the development of custom tools to integrate window shades into annual simulation, we will present examples of how to successfully predict a building’s performance with regard to daylighting over a year.

Learning Objectives:

• Become familiar with metrics and guidelines associated with daylight simulation.
• Understand the capabilities and limitations of lighting simulation technologies.
• Gather a knowledge of existing tools for daylight simulation.
• Understand how occupancy and shading devices affect daylight performance.

1. Autodesk Revit and 3ds Max Design for Lighting and Daylighting simulation (Monday all day)
2. Challenges associated with Weather-Based Annual Daylight Simulations (Tuesday a.m.)

The official Lightfair 2012 schedule can be found here

The FBX import/link or 3ds Max does not create layers based on the file content.

Run this script on freshly imported Revit models via FBX.  It will move all objects on a Layer that corresponds to the Category and Family as illustrated:

It will also restore original Meta data into Parts which are imported without Categories Names, Family Names and Family Types Names.

This script is not a plugin and does not save data in the scene.  You only need to run it on demand.  Note that some entities imported via FBX do not contain meta data from Revit (this is a bug on the Revit side).  Those entities, typically railing posts, lights and parts will remain untouched and left on their original layer.

Note: this assumes that the meta data is available after the FBX import or link. In other words, using Combine by Material will get rid of the Meta information about families (because objects get combined togheter).

Click here to download the script

Or what about listing the type of object as well as its material name and type?

This can be done with a relatively simple MAXScript that you must install  under the \Scripts\Startup directory of your 3ds Max installation.

By doing so, the script will execute each time 3ds Max is launched and will  instruct the Scene Explorer to fetch data about your objects and create new columns that you can drag and drop in place:

• Material Name
• Material Type
• Object Plugin Type
• Layer Name

Save Target as… to download the MAXScript

Save Target as… to download the SceneExplorer.ini file that you can load from the Tools > Manage Scene Explorers dialog.

1. Fine-Tune Your Autodesk® Revit® Models for Autodesk 3ds Max®

• • Class handout here

1. Stump the Autodesk® 3ds Max® Champions

The measured color palettes can be exported from the Color Munki software as *.CxF files and read back in 3ds Max with the help of a plugin now provided by Xrite.

The plugin can be downloaded here.

The map plugin will work with mental ray and iray as well!

Autodesk University 2010: Color Management and Linear Color Workflow

We are trying to do a daylight analysis that includes some frosted glass or “kalwall” style skylights which diffuse the light into the space.  We can get the VLT (Visible Light Transmittance) values easy enough.  However, is there some way to accurately (or semi-accurately) account for the rays being dispersed and spread through the frosted glass? 

Simulating frosted glazing in 3ds Max Design for lighting analysis is doable.  You however need to know how to do it properly.  Here is how:

Some useful background information:

First, as opposed to Radiance, the A&D Material has a few internal “things” going on that you need to be aware.  The most important one is that the A&D Material performs internal energy conservation as follow:

Transmissivity wins over Specular Reflectivity which wins over Diffuse Reflectance.  On top of that, the Transmissivity is weighted against a Specular / Diffuse factor.  This factor is ruled by the Translucent color / weight controls in the interface.

In contrast, in Radiance, one can specify a material that is reflecting 100% diffuse and 100% specular while transmitting 100% of the light, leading to “creating” energy.  This is why the parameters of the Radiance materials cannot be plugged “as-is” in the A&D Material.

Translucent Panels:

We compared translucent glazing simulation in mental ray against radiance and measured data and got convincing results (see image) with the following settings:

Desired Diffuse Transmittance:  0.1621  (16.21% Diffuse – Diffuse Transmittance)

• Treat surface as a single polygon in the model
• A&D Diffuse Level:  0.0
• A&D Diffuse Color:  pitch black  (so no weighting is given to the diffuse reflectance)
• A&D Reflection | Reflectivity Level:  1.0
• A&D Reflection | Reflectivity Color:  pure white (the color is a multiplier, we need it to be 1.0 1.0 1.0)
• A&D Refraction |  Transparency Level:  1.0
• A&D Refraction | Transparency Color:  pure white (the color is a multiplier, we need it to be 1.0 1.0 1.0)
•  A&D Refraction | Translucency Checkbox : ON
• A&D Refraction | Translucency Weight: 1.0  (we want it fully translucent)
• A&D Refraction | Translucency Color:  0.1621 0.1621 0.1621 (the color is a multiplier, we need it to be set to the desied transmissivity level “as-is”, equally for all RGB components)
• BRDF | Custom Reflectivity Function: ON
• BRDF | 0 Deg Refl:  0.0
• BRDF | 90 Deg Refl:  1.0
• BRDF | Curve:  ~5  (we need to approximate a typical Fresnel curve)
• Advanced Rendering Options | Thin-Walled : ON

Some important notes: 

• While the illuminances will carry through properly on light meters, the glazing appearance may not look “natural” in “pretty picture renderings”.   It seems that there is currently a limitation with the appearance of the surface when it is hit by light:  its resulting luminance won’t be correct (AFAIK) so glare analysis based on luminance measurements won’t be convincing.
• The following image shows a graph comparing 3ds max, radiance and measured data.  Ignore the “3ds max 2009 SP1 Initial Submission” curve, this is representing a case where our material settings in 3ds Max where wrong, which we corrected later on – in fact, we forgot to turn off a layer so we had 2 panes of glass on top of each other…).  The green curve is what we need to look at….

My goal was to create a document where the main features of 3ds Max are grouped togheter to create daytime / night time renderings of buildings without overloading it with cumbersome step-by-step “click here/ click there” instructions.  It gives some tips and tricks around NPR (Non-PhotoRealistic) rendering as well.

Here it is:

mentalray.for.aec.renderings

This group maintains a database and publishes this data via a program called Optics 5. From Optics 5 you can then export a Radiance Material (*.rad file), which can be interpreted
as mental ray A&D Material parameters.

To convert Optics 5 data into A&D Material suitable for lighting analysis, export a glazing or glass definition as Radiance (*.rad) from Optics 5. You will find this command under File | Export to Radiance File.

Once the file is exported on disk, open it in Notepad and search for a section that looks like this:

void BRTDfunc B530_front
10
0.245 0.281 0.340
0.169 0.197 0.187
0 0 0

The color coefficients (RGB) for the ideal specular reflection corresponds to 0.245 0.281 0.340. The color coefficients for the ideal specular transmission corresponds to 0.169 0.197 0.187. Those values will need to be used as a basis for the mental ray A&D Material.

How to use the provided Microsoft Excel spreadsheet to convert to the mr A&D Material.

To correctly convert specular reflection and transmission from a Radiance material to a mr A&D Material, we need to take into account internal energy conservation methods that are built in the mr A&D Material that are not factored by the Radiance material. In other words, numbers can’t be “plugged-in” as is.

To help you with this task, we developed a Microsoft® Excel® software spreadsheet that will let you do this precisely. The spreadsheet can be downloaded here.

Limitations:

• The Radiance Materials exported from the Optics 5 database does not take into account angular dependency: A Fresnel falloff curve is assumed so metallic-coated glazing systems may be less precisely simulated.
• The Optics 5 database contains optical data measured spectrally. The exported Radiance materials and the A&D materials use RGB colors which are a crude approximation of the visible light spectrum. Therefore, lighting simulations are done within limitations of RGB colors.

It will also control Text objects to display the current Time and Date of the Daylight System:

Here is a video demonstrating its usage:

You can download the tool here.

I have participated in the process and contributed to the authoring of the following paper: 3ds Max Design Exposure Validation (pdf – 5835Kb) – which describes the process and results.

More details here.

The first one will be on the topic of Daylight Simulation  with 3ds Max Design 2010. The second one will be about strategies to estimate optical characteristics of surface finishes for accurate renderings.

Daylight and Lighting Analysis with Autodesk® 3ds Max® 2010:

• How to predict lighting levels in a scene lit with daylight or electric light
• Finding correct values of reflectance and transmittance for the building materials you create and using these values in a lighting render of an existing building
• Importing and using the correct photometric information for a particular manufacturer’s light fitting
• Creating animated daylight simulation studies and experiencing your building in a dynamic way
• Limitations of lighting analysis programs
• Using MAXScript to perform advanced lighting analysis tasks

Capture and Acquire Appearances of Real World Materials for Improved Accuracy in Renderings:

• Rendering engines and color
• Gamma Correction and Linear Workflow
• Color acquisition devices comparison
• Measuring optical characteristics of materials in an affordable way
• Using this data correctly in Physically Based rendering engines

 
[[Show as slideshow]]